Create a single original contemporary Japanese shin-hanga inspired woodblock-style artwork, vertical 2:3, from scratch. Theme: ordinary daily kindness. A real adult in an unguarded everyday moment, no theatrical costume or idealized storybook character. Body weight and slightly uneven posture are crucial. Face drawn with a few observed personal lines, asymmetry and adult age; relaxed or absorbed expression, no decorative smile. Clothing belongs to their ancient Chinese/Japanese world but is informal, lived-in, supple, slightly rumpled at joints, plain and familiar rather than immaculate historical cosplay. Worn through use, NOT dirty, torn or ragged. No modernization into western clothing.
Freshly printed shin-hanga visual grammar: beautifully CLEAN smooth flat ink areas, PURE clear blue, indigo, green, vermilion or ochre chosen for this scene, luminous clean ivory paper. Colors strong and alive but harmonious, not neon. Absolutely no grain, speckles, paper fibers, mottling, dirty overlay, faded pigments, sepia filter, antique scan or scratch texture. Restrained decisive thin cut lines and 5-8 main cloth folds, not dozens of engraved lines. Modest six ink families reused across areas; one subtle broad bokashi in a background plane at most, all other areas flat, especially faces and garments. Small edge variation can suggest printing without surface noise.
Human figure about 55% image height, integrated in a modest believable space; everyday foreground objects and actual contact with surfaces. Half the composition left quiet. Do NOT impose the same lake and mountains on every scene. No decorative border, signature, seal, text. No photorealism, no comic, no children's book sweetness. Natural correct hands, feet and joints. Tenderness comes from inhabiting an ordinary moment, not from prettifying it.
Scene: Liu Yuxi, middle-aged Chinese man with angular jaw, broad straight brows and very short beard unlike Bai. Pausing on an ordinary path, weight firmly on one leg, bends a little to pull down the cuff that has caught at his wrist; other forearm rests across his stomach. Face looks down at the sleeve, mild patient concentration. Plain clean but repeatedly washed deep blue-green robe, unceremonious tied hair, no magnificent cap. A low plaster wall and a small peach branch beyond it.